Typographer

I’ve always seen typographic design as the incarnation of a culture or society rather than just the surface of the language. The difficult thing about typography is that it was meant to communicate thought, but that thought varies, repents, matures, inspires and evolves.

Matthew Carter said that designing is not about making a group of beautiful letters but instead a beautiful group of letters… letters that help us establish speeches where they become invisible in some cases and leading roles in others. That is the magic of typography.

Typographically I admire the Dutch irreverence & conviction, the English elegance, the French grace & wit, the Chilean humility and integrity, the Italian charm, the Czech power, the Argentinian lyricism, the U.S. softness, the German strength and the Swiss clarity & accuracy. That same admiration shows my sources of inspiration which together resonate within me and generate authentically “inspired” results that create my own identity.